I used to be an audiophile. I spent a lot of money on speakers, and amplifiers, and DACs. But I always found the audiophile cable crowd a bit nuts. And the people that are buying audiophile versions of stuff in the digital domain are full on delusional.
I say “used to be” for two reasons. One, hearing everything does not always mean better. A lot of the time it just reveals imperfections in the recording. And depending on the space, and ambient noise, more headroom can be worse because it just pushes the quiet stuff below the background. And, you are going to have to listen to music in places that you do not have your gear and it is going to sound bad if you get too used to the good stuff. So your music life may be worse overall.
But the biggest difference is that I am older. I just cannot tell the difference as well as I used to.
But most people spend too much money on the equipment and not enough on the sources. You do not need a $20,000 setup if you are listening to badly encoded MP3 or AAC files for example.
But if you have high quality FLAC or Opus sources (or really high-end analog), you do not have to be an audiophile to tell the difference. Same with linear power supplies. You can hear the difference even if you do not spend so much money.
Like wine, audiophiles often make it more about the money they spend than the quality they are getting or the experience they are having.
That said, I can still hear well enough to know that 80% of the people that play music around me turn it up past what their amp can handle and it clips like crazy. I do not know how people listen to that.
Most people DO NOT hear the difference between FLAC and MP3s, which are 320kbs encoded. Most people that claim that do, can’t do it in the blind test.
Anecdotal, but… I’ve been a musician for 36 years and have fantastic hearing not just for my age but for any age. I know, I have to get it quantitatively tested twice a year!
I can’t tell the difference at all between FLAC and 320 kbps from the same source. I can tell a difference between FLAC and 128 kbps, but it’s not huge. It sounds a bit dull, but I have to be looking for the difference and comparing the two. If you just gave me one or the other with no reference, I might suspect the 128 if it was a simple recording of a single instrument or a song I’m intimately familiar with, and even then I wouldn’t be sure of it. It just sometimes “feels” weird.
So I converted over 4 terabytes of my music stash to 320 kbps and cut the total space into less than 2. Feels good.
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To be fair, “audiophiles” are morons.
What do you mean? I always pay extra for the audiophile version of vinyl records!
Can’t wait til 3d printers get good enough to make records so i can stock up on audiophile filament!
Don’t forget to also get the audiophile grade nozzle! Can’t have your expensive fancy filament squirted through some cheap hole-in-a-nut nozzle, what will give you a dull and wobbly sound.
Gonna turn an old vacuum tube into an extruder nozzle to keep that nice, warm analog sound.
Just ask an audiophile what they think about blind tests. If they argue against them you’ve found a snake oil salesman.
But what’s the point of having your newly-purchased $3000 wooden volume knob and polyatomic copper ring bus lift yet another veil from the soundstage if you’re blindfolded?
HEY! I got my $3000 wooden volume knob because it’s pretty and I can’t take a blind test if it’s worth it. I need my eyes to see it!
3k is obviously an exaggeration but goddamn why is woodwork so expensive?! I needed wooden set of some things that are normally made of plastic for about $100, the wood was $465 and literally only one guy on earth makes it. Fuck me!
You’ve identified why. If you are able get some tools doing stuff yourself is in general fun
I mean yeah if you’re literally the only guy in the entire world making it (I’m not joking, literally the only one. Some others make the same class of thing that would physically fit, but in the wrong style and lord knows why but it was a deliberate, and bad, decision) then you can charge whatever you want. Dude doesn’t even have it patented or anything, the designs are public (since like the 60s) and if I had any woodworking XP I could sell the exact same thing legally. 'Course, I’ve never worked wood in my damn life, so…
Still, $465 is a lot for these items.
What exactly is this thing, I’m curious now
Eh, I really didn’t want to be specific because it’s unfortunately both exceedingly nerdy and somewhat controversial (not that it should be imo but it is), but, you a Fallout: New Vegas fan by chance?
Let’s just say I can now patrol the Mojave and not worry so much about the cazadores, (but I’d still almost wish for nuclear winter, of course.)
I’m lightly active in the headphone enthusiast space. Even in the more light-hearted circles there is still an elevated amount of placebo bullshit and stubborn belief in things that verifiably make zero difference.
It’s rather fascinating in a way. I’ve been in and out of various hobbies over the course of my life but there is just something about audio that attracts an atmosphere of wilful ignorance and bad actors that prey on it.
A lot of it comes down to a mix of snobbishness, sunk cost fallacy, and tribalism.
You can’t admit that your $5,000 pair of headphones sound exactly the same as a $300 pair, because:
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You’d no longer be able to pretend that you’re better than the people who have $300 headphones.
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You’d have to admit to yourself that you completely wasted $4,700.
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You’d have to realize that the tight-knit community you’ve formed with other $10k headphone people isn’t really bettor or even really distinct from communities of people with $300 headphones.
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I’ve been in the audio enthusiast community for like 17 years now. When I was fresh, the internet commentators had me thinking there was some audio heaven in the high end compared to the mid range priced gear. Now I know better and the gear community is not so high end price evangelicals like it used to be. I feel like there was a before and after the $30 Monoprice DJ headphones and the wave of headphones since. Then especially IEMs. Once ChiFi really got rolling with IEMs and amplifiers and DACs, $1000+ snake oil salespeople got to deal in a way more competitive market
Same with speakers. Internet changed everything. No more at the whim of specialty audio stores stock and Best Buys. Now you got the whole worlds amount of speaker brands at a click of a finger plus craigslist/offerup. Also again ChiFi amplifiers and DACs. Also improvements in audio codecs whether for wireless or not. Bluetooth audio was awful until it stopped being awful as standards improved
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys. Headphone and speaker communities these days seem a lot more self aware and steeped in self-deprecating humor over the cost, diminishing returns, placebo, snake oil they live in today compared to 17 years ago. I want my digital audio cables endpoints plated with the highest quality diamonds to preserve the zeros and ones. No lab diamonds. Must be natural providing the warmth only blood diamonds that excel in removing negative ions. I treat my room with the finest pink himalayan salt sound absorbent wall panels to deal with the most problematic materials used by homebuilders. Authentic himalayan salt has been shown to be some of the highest quality material in filtering unwanted noise and echos while leaving clean pure audio bliss
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys.
The clamour for lossless/high-res streaming is the audiophile community in a nutshell. Literally paying more money so your brain can trick you into thinking it sounds better.
Like many hobbies, it’s mainly a way to rationalize spending ever increasing amounts on new equipment and source content. I was into the whole scene for a while, but once I had discovered what components in the audio chain actually improve sound quality and which don’t, I called it quits.
The push for lossless seems more like pushback on low bit rate and reduced dynamic range by avoiding compression altogether. Not really a snob thing as much as trying to avoid a common issue.
The video version is getting the Blu-ray which is significantly better than streaming in specific scenes. For example every scene that I have seen with confetti on any streaming service is an eldritch horror of artifacts, but fine on physical media, because the streaming compression just can’t handle that kind of fast changing detail.
It does depend on the music or video though, the vast majority are fine with compression.
Usually when I hear someone swear by lossless audio one service provides compared to another, I swear the reality is either placebo or one service is just using a better masterering of an album compared to another. The service that has on their service the better version album mix and mastering. Like they could serve it as 192kbps MP3 and sound better than a lossless encoded album version with the non ideal mix and mastered release
Oh, 100%. I actually tested this by recording bit perfect copies from different streaming services and comparing them using Audacity.
I found that they only way to hear a difference between the same song played on two different platforms was 1) if there was a notable difference in gain or 2) if they were using two different masters for the same song. If two platforms were using the same master version, they were impossible to tell apart in an ABX test.
All of this is to say that the quality of the mastering is orders of magnitude more important than whether or not a track is lossy or lossless, as far as audible audio quality goes.
Not here to argue I can hear the difference, because I can’t. But in audio collecting where the size and burden of even large lossless files isn’t much different from lossy files, why care? I download the flac files and compress upon delivery to the client where the space might be of a larger concern.
