This is difficult to translate so I’m going to post it in it’s original language (German).
Ein Ferd das hat vier Beiner
Auf jeder Seite einer
Dann hat es einmal keiner
Umfallt
- Unknown
He Asked Me How Will We Know When We’re Dead, by Bobby Byrd. (not the Bobby Byrd.)
I can’t find it anywhere to share, though, as it’s from an album he did with Jim Ward that has become so obscure that it seemingly cannot be found in written or audio form anywhere on the internet, you can still find the CD for sale here and there, though. Cryin’ shame, that whole album is solid.
The View from Halfway Down by Alison Tafel?
The weak breeze whispers nothing. The water screams sublime. His feet shift, teeter-totter; Deep breath, stand back - it’s time.
Toes untouch the overpass, Soon he’s water bound. Eyes lock shut, but peek to see The view from halfway down.
A little wind, a summer sun, A river rich and regal. A flood of fond endorphins Brings a calm that knows no equal.
You’re flying now; you see things Much more clear than from the ground. It’s all okay – it would be, Were you not now halfway down.
Thrash to break from gravity; What now could slow the drop? All I’d give for toes to touch The safety back at top.
But this is it. The deed is done. Silence drowns the sound. Before I leaped, I should have seen The view from halfway down.
I really should have thought about The view from halfway down.
I wish I could have known about The view from halfway down.
Learned about this one from Bojack Horseman and man did it hit hard
It’s actually an original from the show as far as I know. Yeah the whole episode was brutal.
Sea Fever by John Mansfield
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
Oh pointy birds
Oh pointy pointy
Anoint my head
Anointy nointy
-Steve Martin
This may come off as really pretentious, but when I’m feel a wistful melancholy for the past, I hear this short poem I wrote a few years ago called Still Here:
I thought this feeling cast away
Though here it is, perhaps to stay
Though years have passed and I have cried
My inward plea is still denied
First they came https://en.wikipedia.org/wiki/First_They_Came
First they came for the Communists
And I did not speak out
Because I was not a CommunistThen they came for the Socialists
And I did not speak out
Because I was not a SocialistThen they came for the trade unionists
And I did not speak out
Because I was not a trade unionistThen they came for the Jews
And I did not speak out
Because I was not a JewThen they came for me
And there was no one left
To speak out for meSorry if this was already posted, but I didn’t see it:
There Will Come Soft Rains by Sara Teasdale
There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound;
And frogs in the pools singing at night, And wild plum trees in tremulous white,
Robins will wear their feathery fire Whistling their whims on a low fence-wire;
And not one will know of the war, not one Will care at last when it is done.
Not one would mind, neither bird nor tree If mankind perished utterly;
And Spring herself, when she woke at dawn, Would scarcely know that we were gone.
There’s also a short story by Ray Bradbury with the same title that quotes the poem.
The Ray Bradbury story always makes me so sad.
The Clock Man by Shel Silverstein
“How much will you pay for an extra day?” The clock man asked the child.
“Not one penny,” the answer came.
“For my days are as many as my smiles.”
“How much will you pay for an extra day?” He asked when the child was grown.
“Maybe a dollar or maybe less, for I’ve plenty of days of my own.”
“How much will you pay for an extra day?” He asked when the time came to die.
“All of the pearls in all of the seas, and all of the stars in the sky.”
“We will not cease from our exploration. And the end of our exploring Will be to return to the place we began, And to know that place for the first time.”
Basic-ass bitch T.S. Elliot poem. But it hits hard for me growing up in a small town (3,400 ppl) and left to move to a big city (500,000). And I’m reminded of this poem everytime I go back to visit.
If— | The Poetry Foundation https://share.google/doIsTaZmZYVmxSOQ6
If. By Rudyard Kipling
A very macho poem.
I’m Explaining a Few Things by Pablo Neruda
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I’ll tell you all the news.
I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.
From there you could look out
over Castille’s dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel? Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.
And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings –
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to kill children
and the blood of children ran through the streets
without fuss, like children’s blood.
Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!
Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!
Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull’s eye of your hearts.
And you’ll ask: why doesn’t his poetry
speak of dreams and leaves
and the great volcanoes of his native land?
Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!
Good Bones by Maggie Smith
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
Wanna hear a limerick?
Lambert, Lambert, what a prick.
Howl
By Allen Ginsbergit’s long. just google it. :)
I don’t know about favorite, but I keep coming back to “If-” by Rudyard Kipling at different points in my life.




