deleted by creator

Forever shut and made of wood,

That’s what I am. My head’s no good

now that it by a stone was struck.

Old spectacles bewitched with muck

repose within me by the score.

I’m just a cupboard, nothing more.

-Dancelot Wordwright

Featured in the novel The City of Dreaming Books, written by his authorial godson Optimus Yarnspinner. Translated from Zamonian and Illustrated by Walter Moers

I couldn’t call either a favorite, but there are two that have stuck with me my whole life. Edit to fix formatting.

The Second Coming — W. B. Yeats (1919)

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.

The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

It feels as relevant to our time as it was for WW1.

Do Not Go Gentle Into That Good Night — Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.

Rage, rage against the dying of the light.

A girlfriend came in built me a bed scrubbed and waxed the kitchen floor scrubbed the walls vacuumed, cleaned the toilet, the bathtub, scrubbed the bathroom floor and cut my toenails and my hair. Then all on the same day the plumber came and fixed the kitchen faucet and the toilet and the gas man fixed the heater and the phone man fixed the phone.

Now I sit in all this perfection.

It is quiet. I have broken off with all 3 of my girlfriends. I felt better when everything was in disorder. It will take me some months to get back to normal: I can’t even find a roach to commune with. I have lost my rythm. I can’t sleep. I can’t eat. I have been robbed of my filth.

-c. bukowski

This may come off as really pretentious, but when I’m feel a wistful melancholy for the past, I hear this short poem I wrote a few years ago called Still Here:

I thought this feeling cast away

Though here it is, perhaps to stay

Though years have passed and I have cried

My inward plea is still denied

“We will not cease from our exploration. And the end of our exploring Will be to return to the place we began, And to know that place for the first time.”

Basic-ass bitch T.S. Elliot poem. But it hits hard for me growing up in a small town (3,400 ppl) and left to move to a big city (500,000). And I’m reminded of this poem everytime I go back to visit.

Sea Fever by John Mansfield

I must go down to the seas again, to the lonely sea and the sky,

And all I ask is a tall ship and a star to steer her by;

And the wheel’s kick and the wind’s song and the white sail’s shaking,

And a grey mist on the sea’s face, and a grey dawn breaking.

I must go down to the seas again, for the call of the running tide

Is a wild call and a clear call that may not be denied;

And all I ask is a windy day with the white clouds flying,

And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,

To the gull’s way and the whale’s way where the wind’s like a whetted knife;

And all I ask is a merry yarn from a laughing fellow-rover,

And quiet sleep and a sweet dream when the long trick’s over.

Oh pointy birds

Oh pointy pointy

Anoint my head

Anointy nointy

-Steve Martin

The View from Halfway Down by Alison Tafel?

The weak breeze whispers nothing. The water screams sublime. His feet shift, teeter-totter; Deep breath, stand back - it’s time.

Toes untouch the overpass, Soon he’s water bound. Eyes lock shut, but peek to see The view from halfway down.

A little wind, a summer sun, A river rich and regal. A flood of fond endorphins Brings a calm that knows no equal.

You’re flying now; you see things Much more clear than from the ground. It’s all okay – it would be, Were you not now halfway down.

Thrash to break from gravity; What now could slow the drop? All I’d give for toes to touch The safety back at top.

But this is it. The deed is done. Silence drowns the sound. Before I leaped, I should have seen The view from halfway down.

I really should have thought about The view from halfway down.

I wish I could have known about The view from halfway down.

Wanna hear a limerick?

Lambert, Lambert, what a prick.

This is difficult to translate so I’m going to post it in it’s original language (German).

Ein Ferd das hat vier Beiner

Auf jeder Seite einer

Dann hat es einmal keiner

Umfallt

- Unknown

He Asked Me How Will We Know When We’re Dead, by Bobby Byrd. (not the Bobby Byrd.)

I can’t find it anywhere to share, though, as it’s from an album he did with Jim Ward that has become so obscure that it seemingly cannot be found in written or audio form anywhere on the internet, you can still find the CD for sale here and there, though. Cryin’ shame, that whole album is solid.

Hi bamo!

Sappho - Fragment 147 - bits of a text that was mostly destroyed by time, the remaining words gave us this

Even though Yates himself called it “the way to lose a lady”, I still like Aedh Wishes for the Cloths of Heaven.

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

Marie Howe, New York State’s Poet Laureate:

Practicing By Marie Howe

I want to write a love poem for the girls I kissed in seventh grade, a song for what we did on the floor in the basement

of somebody’s parents’ house, a hymn for what we didn’t say but thought: That feels good or I like that, when we learned how to open each other’s mouths

how to move our tongues to make somebody moan. We called it practicing, and one was the boy, and we paired off—maybe six or eight girls—and turned out

the lights and kissed and kissed until we were stoned on kisses, and lifted our nightgowns or let the straps drop, and, Now you be the boy:

concrete floor, sleeping bag or couch, playroom, game room, train room, laundry. Linda’s basement was like a boat with booths and portholes

instead of windows. Gloria’s father had a bar downstairs with stools that spun, plush carpeting. We kissed each other’s throats.

We sucked each other’s breasts, and we left marks, and never spoke of it upstairs outdoors, in daylight, not once. We did it, and it was

practicing, and slept, sprawled so our legs still locked or crossed, a hand still lost in someone’s hair . . . and we grew up and hardly mentioned who

the first kiss really was—a girl like us, still sticky with moisturizer we’d shared in the bathroom. I want to write a song

for that thick silence in the dark, and the first pure thrill of unreluctant desire, just before we’d made ourselves stop.