• grandel@lemmy.ml
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    4 days ago

    This is difficult to translate so I’m going to post it in it’s original language (German).

    Ein Ferd das hat vier Beiner

    Auf jeder Seite einer

    Dann hat es einmal keiner

    Umfallt

    - Unknown

  • NotASharkInAManSuit@lemmy.world
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    5 days ago

    He Asked Me How Will We Know When We’re Dead, by Bobby Byrd. (not the Bobby Byrd.)

    I can’t find it anywhere to share, though, as it’s from an album he did with Jim Ward that has become so obscure that it seemingly cannot be found in written or audio form anywhere on the internet, you can still find the CD for sale here and there, though. Cryin’ shame, that whole album is solid.

  • fdnomad@programming.dev
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    5 days ago

    The View from Halfway Down by Alison Tafel?

    The weak breeze whispers nothing. The water screams sublime. His feet shift, teeter-totter; Deep breath, stand back - it’s time.

    Toes untouch the overpass, Soon he’s water bound. Eyes lock shut, but peek to see The view from halfway down.

    A little wind, a summer sun, A river rich and regal. A flood of fond endorphins Brings a calm that knows no equal.

    You’re flying now; you see things Much more clear than from the ground. It’s all okay – it would be, Were you not now halfway down.

    Thrash to break from gravity; What now could slow the drop? All I’d give for toes to touch The safety back at top.

    But this is it. The deed is done. Silence drowns the sound. Before I leaped, I should have seen The view from halfway down.

    I really should have thought about The view from halfway down.

    I wish I could have known about The view from halfway down.

  • LonelySea@reddthat.com
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    5 days ago

    Sea Fever by John Mansfield

    I must go down to the seas again, to the lonely sea and the sky,

    And all I ask is a tall ship and a star to steer her by;

    And the wheel’s kick and the wind’s song and the white sail’s shaking,

    And a grey mist on the sea’s face, and a grey dawn breaking.

    I must go down to the seas again, for the call of the running tide

    Is a wild call and a clear call that may not be denied;

    And all I ask is a windy day with the white clouds flying,

    And the flung spray and the blown spume, and the sea-gulls crying.

    I must go down to the seas again, to the vagrant gypsy life,

    To the gull’s way and the whale’s way where the wind’s like a whetted knife;

    And all I ask is a merry yarn from a laughing fellow-rover,

    And quiet sleep and a sweet dream when the long trick’s over.

  • jaycifer@lemmy.world
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    5 days ago

    This may come off as really pretentious, but when I’m feel a wistful melancholy for the past, I hear this short poem I wrote a few years ago called Still Here:

    I thought this feeling cast away

    Though here it is, perhaps to stay

    Though years have passed and I have cried

    My inward plea is still denied

  • hexagonwin@lemmy.today
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    5 days ago

    First they came https://en.wikipedia.org/wiki/First_They_Came


    First they came for the Communists
    And I did not speak out
    Because I was not a Communist

    Then they came for the Socialists
    And I did not speak out
    Because I was not a Socialist

    Then they came for the trade unionists
    And I did not speak out
    Because I was not a trade unionist

    Then they came for the Jews
    And I did not speak out
    Because I was not a Jew

    Then they came for me
    And there was no one left
    To speak out for me

  • rmuk@feddit.uk
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    5 days ago

    Sorry if this was already posted, but I didn’t see it:

    There Will Come Soft Rains by Sara Teasdale

    There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound;

    And frogs in the pools singing at night, And wild plum trees in tremulous white,

    Robins will wear their feathery fire Whistling their whims on a low fence-wire;

    And not one will know of the war, not one Will care at last when it is done.

    Not one would mind, neither bird nor tree If mankind perished utterly;

    And Spring herself, when she woke at dawn, Would scarcely know that we were gone.

    There’s also a short story by Ray Bradbury with the same title that quotes the poem.

  • raldone01@lemmy.world
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    5 days ago

    The Clock Man by Shel Silverstein

    “How much will you pay for an extra day?” The clock man asked the child.

    “Not one penny,” the answer came.

    “For my days are as many as my smiles.”

    “How much will you pay for an extra day?” He asked when the child was grown.

    “Maybe a dollar or maybe less, for I’ve plenty of days of my own.”

    “How much will you pay for an extra day?” He asked when the time came to die.

    “All of the pearls in all of the seas, and all of the stars in the sky.”

  • AdolfSchmitler@lemmy.world
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    5 days ago

    “We will not cease from our exploration. And the end of our exploring Will be to return to the place we began, And to know that place for the first time.”

    Basic-ass bitch T.S. Elliot poem. But it hits hard for me growing up in a small town (3,400 ppl) and left to move to a big city (500,000). And I’m reminded of this poem everytime I go back to visit.

  • Random Dent@lemmy.ml
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    5 days ago

    I’m Explaining a Few Things by Pablo Neruda

    You are going to ask: and where are the lilacs?

    and the poppy-petalled metaphysics?

    and the rain repeatedly spattering

    its words and drilling them full

    of apertures and birds?

    I’ll tell you all the news.

    I lived in a suburb,

    a suburb of Madrid, with bells,

    and clocks, and trees.

    From there you could look out

    over Castille’s dry face:

    a leather ocean.

    My house was called

    the house of flowers, because in every cranny

    geraniums burst: it was

    a good-looking house

    with its dogs and children.

    Remember, Raul?

    Eh, Rafel? Federico, do you remember

    from under the ground

    my balconies on which

    the light of June drowned flowers in your mouth?

    Brother, my brother!

    Everything

    loud with big voices, the salt of merchandises,

    pile-ups of palpitating bread,

    the stalls of my suburb of Arguelles with its statue

    like a drained inkwell in a swirl of hake:

    oil flowed into spoons,

    a deep baying

    of feet and hands swelled in the streets,

    metres, litres, the sharp

    measure of life,

    stacked-up fish,

    the texture of roofs with a cold sun in which

    the weather vane falters,

    the fine, frenzied ivory of potatoes,

    wave on wave of tomatoes rolling down the sea.

    And one morning all that was burning,

    one morning the bonfires

    leapt out of the earth

    devouring human beings –

    and from then on fire,

    gunpowder from then on,

    and from then on blood.

    Bandits with planes and Moors,

    bandits with finger-rings and duchesses,

    bandits with black friars spattering blessings

    came through the sky to kill children

    and the blood of children ran through the streets

    without fuss, like children’s blood.

    Jackals that the jackals would despise,

    stones that the dry thistle would bite on and spit out,

    vipers that the vipers would abominate!

    Face to face with you I have seen the blood

    of Spain tower like a tide

    to drown you in one wave

    of pride and knives!

    Treacherous

    generals:

    see my dead house,

    look at broken Spain :

    from every house burning metal flows

    instead of flowers,

    from every socket of Spain

    Spain emerges

    and from every dead child a rifle with eyes,

    and from every crime bullets are born

    which will one day find

    the bull’s eye of your hearts.

    And you’ll ask: why doesn’t his poetry

    speak of dreams and leaves

    and the great volcanoes of his native land?

    Come and see the blood in the streets.

    Come and see

    The blood in the streets.

    Come and see the blood

    In the streets!

    Good Bones by Maggie Smith

    Life is short, though I keep this from my children.

    Life is short, and I’ve shortened mine

    in a thousand delicious, ill-advised ways,

    a thousand deliciously ill-advised ways

    I’ll keep from my children. The world is at least

    fifty percent terrible, and that’s a conservative

    estimate, though I keep this from my children.

    For every bird there is a stone thrown at a bird.

    For every loved child, a child broken, bagged,

    sunk in a lake. Life is short and the world

    is at least half terrible, and for every kind

    stranger, there is one who would break you,

    though I keep this from my children. I am trying

    to sell them the world. Any decent realtor,

    walking you through a real shithole, chirps on

    about good bones: This place could be beautiful,

    right? You could make this place beautiful.